{"id":9976,"date":"2021-12-09T19:37:14","date_gmt":"2021-12-09T18:37:14","guid":{"rendered":"https:\/\/platoteca.platohedro.org\/?p=9976"},"modified":"2021-12-09T19:37:16","modified_gmt":"2021-12-09T18:37:16","slug":"cuerpo-de-mujer-modelo-para-armar","status":"publish","type":"post","link":"https:\/\/platoteca.platohedro.org\/?p=9976","title":{"rendered":"Cuerpo de mujer: modelo para armar"},"content":{"rendered":"\n<p>El cuerpo no es s\u00f3lo un dato biol\u00f3gico sino una construcci\u00f3n cultural, social e hist\u00f3rica en la cual el arte tiene un papel fundamental. Pero ese ojo del arte ha sido tradicionalmente masculino. La pregunta que se hace este texto es \u00bfqu\u00e9 pasa cuando la mujer deja de ser el objeto proverbial de la mirada del otro y se atreve ella misma a mirar su propio cuerpo? Pues, cuando se imaginan a una mujer y un ojo de una cerradura es usualmente a la mujer a la que se supone est\u00e1n espiando. \u00bfQu\u00e9 pasa cuando la mujer est\u00e1 situada adelante y atr\u00e1s del ojo de la cerradura, cuando de ser espect\u00e1culo se convierte en espectadora, cuando construye sus propias im\u00e1genes acerca de su corporalidad? Son precisamente estos los lugares que han ocupado las artistas aqu\u00ed convocadas.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img decoding=\"async\" src=\"http:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/BV000-1024x615.png\" alt=\"\" class=\"wp-image-8125\" width=\"256\" height=\"154\" srcset=\"https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/BV000-1024x615.png 1024w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/BV000-300x180.png 300w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/BV000-768x461.png 768w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/figure><\/div>\n\n\n<div class=\"su-table su-table-alternate\">\n<table>\n<tbody>\n<tr>\n<td>Referencia<\/td>\n<td>BV000086\n<\/td>\n<\/tr>\n<tr>\n<td>Titulo<\/td>\n<td>Cuerpo de mujer: modelo para armar<\/td>\n<\/tr>\n<tr>\n<td>Autoras<br \/>\n \/ Editoras<\/td>\n<td>Giraldo Escobar, Sol Astrid<\/td>\n<\/tr>\n<tr>\n<td>Productoras<br \/>\nvinculadas<\/td>\n<td>Alcald\u00eda de Medell\u00edn, Secretatia de Cultra Ciudadana<\/td>\n<\/tr>\n<tr>\n<td>A\u00f1o<br \/>\nde producci\u00f3n<\/td>\n<td>2010<\/td>\n<\/tr>\n<tr>\n<td>Lugar<br \/>\nde producci\u00f3n<\/td>\n<td>Medell\u00edn<\/td>\n<\/tr>\n<tr>\n<td>\nIdioma original<\/td>\n<td>Espa\u00f1ol<\/td>\n<\/tr>\n<tr>\n<td>Tipo<br \/>\nde material<\/td>\n<td>Libro<\/td>\n<\/tr>\n<tr>\n<td>ISBN \/ ISSN<!--\ntd--><\/td>\n<td>978-958-8427-45-4<\/td>\n<\/tr>\n<tr>\n<td>Medidas<\/td>\n<td>176 p.: il:; 21 cm<!--td--><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El cuerpo no es s\u00f3lo un dato biol\u00f3gico sino una construcci\u00f3n cultural, social e hist\u00f3rica en la cual el arte tiene un papel fundamental. Pero ese ojo del arte ha sido tradicionalmente masculino. La pregunta que se hace este texto es \u00bfqu\u00e9 pasa cuando la mujer deja de ser el objeto proverbial de la mirada del otro y se atreve&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":8125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2,198],"tags":[186,379,201],"anio":[147],"idioma":[4],"lugar_produccion":[50],"tipo-de-material":[12],"class_list":["post-9976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buen-vivir","category-genero-y-pos-genero","tag-cuerpo","tag-feminismo","tag-mujeres","anio-147","idioma-espanol","lugar_produccion-medellin","tipo-de-material-libro"],"acf":[],"_links":{"self":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/9976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9976"}],"version-history":[{"count":2,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/9976\/revisions"}],"predecessor-version":[{"id":9978,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/9976\/revisions\/9978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/media\/8125"}],"wp:attachment":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9976"},{"taxonomy":"anio","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fanio&post=9976"},{"taxonomy":"idioma","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fidioma&post=9976"},{"taxonomy":"lugar_produccion","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Flugar_produccion&post=9976"},{"taxonomy":"tipo-de-material","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftipo-de-material&post=9976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}