{"id":550,"date":"2019-10-01T03:48:02","date_gmt":"2019-10-01T01:48:02","guid":{"rendered":"http:\/\/platoteca.platohedro.org\/?p=550"},"modified":"2019-10-21T17:59:53","modified_gmt":"2019-10-21T15:59:53","slug":"15th-jakarta-biennale-2013-siasat-katalog","status":"publish","type":"post","link":"https:\/\/platoteca.platohedro.org\/?p=550","title":{"rendered":"15th Jakarta Biennale 2013: SIASAT. Katalog"},"content":{"rendered":"\n<p>La Bienal de Yakarta 2013 ha tomado el tema -SIASAT-. Una palabra de pr\u00e9stamo \u00e1rabe, -siyasah- tiene un significado amplio en indonesio. Puede significar investigaci\u00f3n o cr\u00edtica, as\u00ed como pol\u00edtica, trucos y t\u00e1cticas. Tambi\u00e9n puede significar -razonamiento- con el que lograr ciertos fines. A trav\u00e9s de SIASAT, la Bienal de Yakarta 2013 tiene como objetivo reexaminar c\u00f3mo los ciudadanos abordan todo tipo de limitaciones, inestabilidades, problemas, amenazas, potenciales, as\u00ed como las oportunidades que encuentran en el paisaje urbano. Observa c\u00f3mo estos &#8216;siasat&#8217; se cultivan y establecen org\u00e1nicamente, y c\u00f3mo impactan varios aspectos de la vida de la ciudad. Con el tema -SIASAT-, la Bienal de Yakarta 2013 invita a alrededor de 50 artistas y grupos individuales, en los que participan cientos de residentes de la ciudad y docenas de colaboradores de diversas disciplinas. La mayor\u00eda de sus trabajos son resultados de la colaboraci\u00f3n con ciudadanos y comunidades, o intervenciones en espacios p\u00fablicos.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img decoding=\"async\" src=\"http:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP200-1024x615.png\" alt=\"\" class=\"wp-image-7975\" width=\"178\" height=\"107\"\/><\/figure><\/div>\n\n\n\n<div class=\"su-table su-table-alternate\"> <table> <tr> <td>Referencia<\/td> <td>AP200014<\/td> <\/tr> <tr> <td>Titulo<\/td> <td>15th Jakarta Biennale 2013: SIASAT. Katalog<\/td> <\/tr> <tr> <td>Autoras \/ Editoras<\/td> <td>Pasaribu, Adrian Jonathan; Andarnuswari, Ninus D. &amp; Irmalasari, Fitri Ratna<\/td> <\/tr> <tr> <td>Productoras vinculadas<\/td> <td>Dewan Kesenian Jakarta<\/td> <\/tr> <tr> <td>A\u00f1o de producci\u00f3n<\/td> <td>2013<\/td> <\/tr> <tr> <td>Lugar de producci\u00f3n<\/td> <td>Indonesia<\/td> <\/tr> <tr> <td>Idioma original<\/td> <td>Indonesio, ingl\u00e9s<\/td> <\/tr> <tr> <td>Tipo de material<\/td> <td>Cat\u00e1logo<\/td> <\/tr> <tr> <td>ISBN \/ ISSN<\/td> <td>NA<\/td> <\/tr> <td>Medidas<\/td> <td>192 p.: il.; 25 cm.<\/td> <\/tr> <\/table> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>La Bienal de Yakarta 2013 ha tomado el tema -SIASAT-. Una palabra de pr\u00e9stamo \u00e1rabe, -siyasah- tiene un significado amplio en indonesio. Puede significar investigaci\u00f3n o cr\u00edtica, as\u00ed como pol\u00edtica, trucos y t\u00e1cticas. Tambi\u00e9n puede significar -razonamiento- con el que lograr ciertos fines. A trav\u00e9s de SIASAT, la Bienal de Yakarta 2013 tiene como objetivo reexaminar c\u00f3mo los ciudadanos abordan&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":7979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,17,2,110,193],"tags":[53,68,132,203,72,46,97,113,121],"anio":[22],"idioma":[24,5],"lugar_produccion":[23],"tipo-de-material":[21],"class_list":["post-550","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-pensamiento","category-artes-visuales","category-buen-vivir","category-curaduria-critica","category-lo-comun","tag-artistas","tag-bienal","tag-colectividades","tag-comunitario","tag-espacio-publico-y-ciudad","tag-exposiciones","tag-investigacion","tag-trabajo-colaborativo","tag-yakarta","anio-22","idioma-indonesia","idioma-ingles","lugar_produccion-indonesia","tipo-de-material-catalogo"],"acf":[],"_links":{"self":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=550"}],"version-history":[{"count":3,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/550\/revisions"}],"predecessor-version":[{"id":8066,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/550\/revisions\/8066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/media\/7979"}],"wp:attachment":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=550"},{"taxonomy":"anio","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fanio&post=550"},{"taxonomy":"idioma","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fidioma&post=550"},{"taxonomy":"lugar_produccion","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Flugar_produccion&post=550"},{"taxonomy":"tipo-de-material","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftipo-de-material&post=550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}