{"id":311,"date":"2019-10-01T03:48:02","date_gmt":"2019-10-01T03:48:02","guid":{"rendered":"http:\/\/platoteca.platohedro.org\/?p=110"},"modified":"2019-10-21T17:52:08","modified_gmt":"2019-10-21T15:52:08","slug":"31st-bienal-how-to-things-that-dont-exist-guide","status":"publish","type":"post","link":"https:\/\/platoteca.platohedro.org\/?p=311","title":{"rendered":"31st. Bienal. How to (&#8230;) things that don&#8217;t exist. Guide"},"content":{"rendered":"\n<p>El t\u00edtulo de la 31\u00aa Bienal de S\u00e3o Paulo, \u00abC\u00f3mo hablar sobre cosas que no existen\u00bb, es una invocaci\u00f3n po\u00e9tica de las capacidades del Arte, de su capacidad para reflexionar y actuar sobre la vida, el poder y las creencias. La oraci\u00f3n comunica optimismo sobre las posibilidades del Arte actual, un optimismo que se hace eco de la Bienal y los proyectos dentro de ella. Para transmitir esta apertura, el primero de los dos verbos en el t\u00edtulo ha cambiado constantemente en los \u00faltimos meses: el equipo curatorial comenz\u00f3 hablando sobre ellos (C\u00f3mo hablar sobre cosas que no existen), para luego pasar a vivir con ellos (C\u00f3mo vivir con cosas que no existen). Esto fue seguido usando (C\u00f3mo usar cosas que no existen), pero tambi\u00e9n luchando contra (C\u00f3mo luchar contra cosas que no existen) y aprendiendo de (C\u00f3mo aprender de cosas que no existen) esas mismas cosas, en una lista que no puede tener fin.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img decoding=\"async\" src=\"http:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png\" alt=\"\" class=\"wp-image-7975\" width=\"178\" height=\"107\" srcset=\"https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png 1024w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-300x180.png 300w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-768x461.png 768w\" sizes=\"(max-width: 178px) 100vw, 178px\" \/><\/figure><\/div>\n\n\n\n<div class=\"su-table su-table-alternate\">\n<table>\n<tr>\n<td>Referencia<\/td>\n<td>AP000038<\/td>\n<\/tr>\n<tr>\n<td>Titulo<\/td>\n<td>31st. Bienal. How to (...) things that don't exist. Guide<\/td>\n<\/tr>\n<tr>\n<td>Autoras \/ Editoras<\/td>\n<td>Enguita M., Nuria &amp; Beltr\u00e1n, Erick (Eds.)<\/td>\n<\/tr>\n<tr>\n<td>Productoras vinculadas<\/td>\n<td>Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>A\u00f1o de producci\u00f3n<\/td>\n<td>2014<\/td>\n<\/tr>\n<tr>\n<td>Lugar de producci\u00f3n<\/td>\n<td>S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>Idioma original<\/td>\n<td>ingl\u00e9s<\/td>\n<\/tr>\n<tr>\n<td>Tipo de material<\/td>\n<td>Gu\u00eda de exposici\u00f3n<\/td>\n<\/tr>\n<tr>\n<td>ISBN \/ ISSN<\/td>\n<td>978-85-85298-47-0<\/td>\n<\/tr>\n<td>Medidas<\/td>\n<td>223 p.: il.; 18,5 cm.<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El t\u00edtulo de la 31\u00aa Bienal de S\u00e3o Paulo, \u00abC\u00f3mo hablar sobre cosas que no existen\u00bb, es una invocaci\u00f3n po\u00e9tica de las capacidades del Arte, de su capacidad para reflexionar y actuar sobre la vida, el poder y las creencias. La oraci\u00f3n comunica optimismo sobre las posibilidades del Arte actual, un optimismo que se hace eco de la Bienal y&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":7975,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,17,110],"tags":[57,53,68,46],"anio":[9],"idioma":[5],"lugar_produccion":[66],"tipo-de-material":[86],"class_list":["post-311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-pensamiento","category-artes-visuales","category-curaduria-critica","tag-arte-contemporaneo","tag-artistas","tag-bienal","tag-exposiciones","anio-9","idioma-ingles","lugar_produccion-sao-paulo","tipo-de-material-guia-de-exposicion"],"acf":[],"_links":{"self":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=311"}],"version-history":[{"count":2,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/311\/revisions"}],"predecessor-version":[{"id":8048,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/311\/revisions\/8048"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/media\/7975"}],"wp:attachment":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=311"},{"taxonomy":"anio","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fanio&post=311"},{"taxonomy":"idioma","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fidioma&post=311"},{"taxonomy":"lugar_produccion","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Flugar_produccion&post=311"},{"taxonomy":"tipo-de-material","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftipo-de-material&post=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}