{"id":300,"date":"2019-10-01T03:48:02","date_gmt":"2019-10-01T03:48:02","guid":{"rendered":"http:\/\/platoteca.platohedro.org\/?p=110"},"modified":"2019-10-21T17:40:00","modified_gmt":"2019-10-21T15:40:00","slug":"forum-mundial-de-bienais-no-2","status":"publish","type":"post","link":"https:\/\/platoteca.platohedro.org\/?p=300","title":{"rendered":"Forum Mundial de Bienais No. 2: Como fazer bienais em tempos contempor\u00e2neos. S\u00e3o Paulo, Brasil\/ World Biennaial Forum. How to make biennials in contemporary times."},"content":{"rendered":"\n<p>Bajo el t\u00edtulo \u00abC\u00f3mo hacer bienales en los tiempos actuales\u00bb y la direcci\u00f3n del equipo curatorial de la Bienal de S\u00e3o Paulo, encabezado por el brit\u00e1nico Charles Esche, se concentraron sobre todo en las bienales recientes de lo que se ha dado en llamar el \u00abSur Global\u00bb. As\u00ed, el foco principal estuvo en las ciudades de Dakar, Estambul, Yakarta y S\u00e3o Paulo, pero tambi\u00e9n otras bienales del hemisferio sur. El libro re\u00fane ensayos sobre los temas tratados en el evento.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img decoding=\"async\" src=\"http:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png\" alt=\"\" class=\"wp-image-7975\" width=\"178\" height=\"107\" srcset=\"https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png 1024w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-300x180.png 300w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-768x461.png 768w\" sizes=\"(max-width: 178px) 100vw, 178px\" \/><\/figure><\/div>\n\n\n\n<div class=\"su-table su-table-alternate\">\n<table>\n<tr>\n<td>Referencia<\/td>\n<td>AP000035<\/td>\n<\/tr>\n<tr>\n<td>Titulo<\/td>\n<td>Forum Mundial de Bienais No. 2: Como fazer bienais em tempos contempor\u00e2neos. S\u00e3o Paulo, Brasil\/ World Biennaial Forum. How to make biennials in contemporary times.<\/td>\n<\/tr>\n<tr>\n<td>Autoras \/ Editoras<\/td>\n<td>Biennial Foundation<\/td>\n<\/tr>\n<tr>\n<td>Productoras vinculadas<\/td>\n<td>Biennial Foundation, Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo, ICCo \u2013 Instituto de Cultura Contempor\u00e2nea<\/td>\n<\/tr>\n<tr>\n<td>A\u00f1o de producci\u00f3n<\/td>\n<td>2014<\/td>\n<\/tr>\n<tr>\n<td>Lugar de producci\u00f3n<\/td>\n<td>S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>Idioma original<\/td>\n<td>Portugu\u00e9s, ingl\u00e9s<\/td>\n<\/tr>\n<tr>\n<td>Tipo de material<\/td>\n<td>Libro<\/td>\n<\/tr>\n<tr>\n<td>ISBN \/ ISSN<\/td>\n<td>NA<\/td>\n<\/tr>\n<td>Medidas<\/td>\n<td>87 p.; 20 cm.<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Bajo el t\u00edtulo \u00abC\u00f3mo hacer bienales en los tiempos actuales\u00bb y la direcci\u00f3n del equipo curatorial de la Bienal de S\u00e3o Paulo, encabezado por el brit\u00e1nico Charles Esche, se concentraron sobre todo en las bienales recientes de lo que se ha dado en llamar el \u00abSur Global\u00bb. As\u00ed, el foco principal estuvo en las ciudades de Dakar, Estambul, Yakarta y&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":7975,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,17,110],"tags":[57,68],"anio":[9],"idioma":[5,41],"lugar_produccion":[66],"tipo-de-material":[12],"class_list":["post-300","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-pensamiento","category-artes-visuales","category-curaduria-critica","tag-arte-contemporaneo","tag-bienal","anio-9","idioma-ingles","idioma-portugues","lugar_produccion-sao-paulo","tipo-de-material-libro"],"acf":[],"_links":{"self":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=300"}],"version-history":[{"count":2,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/300\/revisions"}],"predecessor-version":[{"id":8026,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/300\/revisions\/8026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/media\/7975"}],"wp:attachment":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=300"},{"taxonomy":"anio","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fanio&post=300"},{"taxonomy":"idioma","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fidioma&post=300"},{"taxonomy":"lugar_produccion","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Flugar_produccion&post=300"},{"taxonomy":"tipo-de-material","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftipo-de-material&post=300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}