{"id":270,"date":"2019-10-01T03:48:02","date_gmt":"2019-10-01T03:48:02","guid":{"rendered":"http:\/\/platoteca.platohedro.org\/?p=110"},"modified":"2019-10-21T22:47:01","modified_gmt":"2019-10-21T20:47:01","slug":"au-coeur-de-bamako-in-the-heart-of-bamako","status":"publish","type":"post","link":"https:\/\/platoteca.platohedro.org\/?p=270","title":{"rendered":"Au coeur de Bamako \/ In the heart of Bamako"},"content":{"rendered":"\n<p>El cat\u00e1logo \u00abEn el coraz\u00f3n de Bamako\u00bb cuenta la resistencia de una ciudad a trav\u00e9s de la educaci\u00f3n, iniciativas para salvaguardar los manuscritos de Tombuct\u00fa, visitas escolares, actividades de artistas y actores culturales a trav\u00e9s de m\u00faltiples expresiones como talleres, paneles y exposiciones (Fatoumata Diawara, Sheikh Diallo, Abdoulaye Konate, Soly Cisse, Amadou Sanogo &#8230;). Evoca, adem\u00e1s de estas noticias, las luchas culturales y pol\u00edticas del siglo pasado, las de Modibo Keita (primer presidente del pa\u00eds), Mamadou Konat\u00e9, Fily Dabo Sissoko, las huellas y recuerdos del m\u00fasico Ali Farka Toure, el escritor Yambo Ouologuem, la carrera del futbolista Salif Keita.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img decoding=\"async\" src=\"http:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png\" alt=\"\" class=\"wp-image-7975\" width=\"178\" height=\"107\" srcset=\"https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png 1024w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-300x180.png 300w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-768x461.png 768w\" sizes=\"(max-width: 178px) 100vw, 178px\" \/><\/figure><\/div>\n\n\n\n<div class=\"su-table su-table-alternate\">\n<table>\n<tr>\n<td>Referencia<\/td>\n<td>AP000025<\/td>\n<\/tr>\n<tr>\n<td>Titulo<\/td>\n<td>Au coeur de Bamako \/ In the heart of Bamako<\/td>\n<\/tr>\n<tr>\n<td>Autoras \/ Editoras<\/td>\n<td>Diarra, Lassana Igo<\/td>\n<\/tr>\n<tr>\n<td>Productoras vinculadas<\/td>\n<td>La Galerie M\u00e9dina<\/td>\n<\/tr>\n<tr>\n<td>A\u00f1o de producci\u00f3n<\/td>\n<td>2017<\/td>\n<\/tr>\n<tr>\n<td>Lugar de producci\u00f3n<\/td>\n<td>Bamako<\/td>\n<\/tr>\n<tr>\n<td>Idioma original<\/td>\n<td>Franc\u00e9s, ingl\u00e9s<\/td>\n<\/tr>\n<tr>\n<td>Tipo de material<\/td>\n<td>Cat\u00e1logo<\/td>\n<\/tr>\n<tr>\n<td>ISBN \/ ISSN<\/td>\n<td>978-99952-833-7-7<\/td>\n<\/tr>\n<td>Medidas<\/td>\n<td>400 p.: il.; 28,5 cm.<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El cat\u00e1logo \u00abEn el coraz\u00f3n de Bamako\u00bb cuenta la resistencia de una ciudad a trav\u00e9s de la educaci\u00f3n, iniciativas para salvaguardar los manuscritos de Tombuct\u00fa, visitas escolares, actividades de artistas y actores culturales a trav\u00e9s de m\u00faltiples expresiones como talleres, paneles y exposiciones (Fatoumata Diawara, Sheikh Diallo, Abdoulaye Konate, Soly Cisse, Amadou Sanogo &#8230;). Evoca, adem\u00e1s de estas noticias, las&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":7975,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,17],"tags":[57,104,72,84,103],"anio":[3],"idioma":[102,5],"lugar_produccion":[101],"tipo-de-material":[21],"class_list":["post-270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-pensamiento","category-artes-visuales","tag-arte-contemporaneo","tag-bamako","tag-espacio-publico-y-ciudad","tag-identidad-cultural","tag-practicas-artisticas","anio-3","idioma-frances","idioma-ingles","lugar_produccion-bamako","tipo-de-material-catalogo"],"acf":[],"_links":{"self":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=270"}],"version-history":[{"count":2,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/270\/revisions"}],"predecessor-version":[{"id":8402,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/270\/revisions\/8402"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/media\/7975"}],"wp:attachment":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=270"},{"taxonomy":"anio","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fanio&post=270"},{"taxonomy":"idioma","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fidioma&post=270"},{"taxonomy":"lugar_produccion","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Flugar_produccion&post=270"},{"taxonomy":"tipo-de-material","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftipo-de-material&post=270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}