{"id":160,"date":"2019-10-01T03:48:02","date_gmt":"2019-10-01T01:48:02","guid":{"rendered":"http:\/\/platoteca.platohedro.org\/?p=110"},"modified":"2019-10-21T17:43:55","modified_gmt":"2019-10-21T15:43:55","slug":"comic-marathon-cali-2008","status":"publish","type":"post","link":"https:\/\/platoteca.platohedro.org\/?p=160","title":{"rendered":"Comic Marathon 24 hrs. Cali-2008"},"content":{"rendered":"\n<p>La posibilidad de mirar es inicial, la de ver, es acotada. Es la operaci\u00f3n que Francisco Alcayaga Motta otorga, al seguir un proceso de rigurosidad fotogr\u00e1fica en retratar fachadas\/rostros, bajo una constante sist\u00e9mica de producci\u00f3n y t\u00e9cnica fotogr\u00e1fica. Un primer plano que eleva a cada objeto\/sujeto, a un estudio de la forma, la huella y el rasgo. Con este trabajo \u00abPrecaria. Huellas de Campamento\u00bb, se realiza una operaci\u00f3n que no aspira a una contemplaci\u00f3n compasiva de un grupo socialmente golpeado, sino al contrario, trabaja con la posibilidad de la dignificaci\u00f3n de su reconocimiento e inserci\u00f3n, dentro de un contexto visual y social, asumiendo una est\u00e9tica que se apropia de los lenguajes de la observaci\u00f3n y el estudio de aproximaci\u00f3n.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img decoding=\"async\" src=\"http:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png\" alt=\"\" class=\"wp-image-7975\" width=\"178\" height=\"107\" srcset=\"https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-1024x615.png 1024w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-300x180.png 300w, https:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP000-768x461.png 768w\" sizes=\"(max-width: 178px) 100vw, 178px\" \/><\/figure><\/div>\n\n\n\n<div class=\"su-table su-table-alternate\">\n<table>\n<tr>\n<td>Referencia<\/td>\n<td>AP000004<\/td>\n<\/tr>\n<tr>\n<td>Titulo<\/td>\n<td>Comic Marathon 24 hrs. Cali-2008<\/td>\n<\/tr>\n<tr>\n<td>Autoras \/ Editoras<\/td>\n<td>Backer, Anna Bas (Ed.)<\/td>\n<\/tr>\n<tr>\n<td>Productoras vinculadas<\/td>\n<td>Lugar a dudas<\/td>\n<\/tr>\n<tr>\n<td>A\u00f1o de producci\u00f3n<\/td>\n<td>2008<\/td>\n<\/tr>\n<tr>\n<td>Lugar de producci\u00f3n<\/td>\n<td>Cali<\/td>\n<\/tr>\n<tr>\n<td>Idioma original<\/td>\n<td>Espa\u00f1ol<\/td>\n<\/tr>\n<tr>\n<td>Tipo de material<\/td>\n<td>Libro de artista<\/td>\n<\/tr>\n<tr>\n<td>ISBN \/ ISSN<\/td>\n<td>N\/A<\/td>\n<\/tr>\n<td>Medidas<\/td>\n<td>96 p.: il.; 20 cm.<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>La posibilidad de mirar es inicial, la de ver, es acotada. Es la operaci\u00f3n que Francisco Alcayaga Motta otorga, al seguir un proceso de rigurosidad fotogr\u00e1fica en retratar fachadas\/rostros, bajo una constante sist\u00e9mica de producci\u00f3n y t\u00e9cnica fotogr\u00e1fica. Un primer plano que eleva a cada objeto\/sujeto, a un estudio de la forma, la huella y el rasgo. Con este trabajo&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":7975,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,17],"tags":[33,34,32],"anio":[35],"idioma":[4],"lugar_produccion":[30],"tipo-de-material":[31],"class_list":["post-160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-pensamiento","category-artes-visuales","tag-ccomic","tag-dibujo","tag-residencia","anio-35","idioma-espanol","lugar_produccion-cali","tipo-de-material-libro-de-artista"],"acf":[],"_links":{"self":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=160"}],"version-history":[{"count":5,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/160\/revisions"}],"predecessor-version":[{"id":8031,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/160\/revisions\/8031"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/media\/7975"}],"wp:attachment":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=160"},{"taxonomy":"anio","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fanio&post=160"},{"taxonomy":"idioma","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fidioma&post=160"},{"taxonomy":"lugar_produccion","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Flugar_produccion&post=160"},{"taxonomy":"tipo-de-material","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftipo-de-material&post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}