{"id":1000,"date":"2019-10-01T03:48:02","date_gmt":"2019-10-01T01:48:02","guid":{"rendered":"http:\/\/platoteca.platohedro.org\/?p=1000"},"modified":"2019-10-21T22:28:14","modified_gmt":"2019-10-21T20:28:14","slug":"afropixel-6-utopies-non-alignees","status":"publish","type":"post","link":"https:\/\/platoteca.platohedro.org\/?p=1000","title":{"rendered":"Afropixel 6 Utopies Non-Align\u00e9es"},"content":{"rendered":"\n<p>Afropixel # 6 es el primer cap\u00edtulo de Imaginarios Digitales, una colaboraci\u00f3n entre K\u00ebr Thiossane en Dakar, el Museo de Arte Wits (WAM), el Instituto Wits para la Investigaci\u00f3n Social y Econ\u00f3mica (WISER), el Festival Fak&#8217;ugesi en Johannesburgo, el Universidad de Bayreuth en Bayreuth y Zentrum f\u00fcr Kunst und Medientechnologie (ZKM) en Karlsruhe. Al reunir a artistas e investigadores de las ciencias sociales, este proyecto internacional busca comprender c\u00f3mo los -imaginarios digitales- que atormentan el mundo contempor\u00e1neo, transformando la vida cotidiana y sacudiendo las esferas pol\u00edtica, social, econ\u00f3mica y cultural, pueden influir el presente en \u00c1frica y afectar las visiones futuras para el continente. El tema de las utop\u00edas no alineadas es uno de los prismas por los cuales se discutir\u00e1n estos temas, durante las reuniones y exposiciones en Dakar, y m\u00e1s tarde en Johannesburgo y Karlsruhe, en las instalaciones de los otros dos cap\u00edtulos del proyecto Imaginarios Digitales.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img decoding=\"async\" src=\"http:\/\/platoteca.platohedro.org\/wp-content\/uploads\/2019\/10\/AP230-1024x615.png\" alt=\"\" class=\"wp-image-7975\" width=\"178\" height=\"107\"><\/figure><\/div>\n\n\n\n<div class=\"su-table su-table-alternate\"> <table> <tr> <td>Referencia<\/td> <td>AP230003<\/td> <\/tr> <tr> <td>Titulo<\/td> <td>Afropixel 6 Utopies Non-Align\u00e9es<\/td> <\/tr> <tr> <td>Autoras \/ Editoras<\/td> <td>Afropixel<\/td> <\/tr> <tr> <td>Productoras vinculadas<\/td> <td>K\u00ebr Thiossane<\/td> <\/tr> <tr> <td>A\u00f1o de producci\u00f3n<\/td> <td>2018<\/td> <\/tr> <tr> <td>Lugar de producci\u00f3n<\/td> <td>Senegal<\/td> <\/tr> <tr> <td>Idioma original<\/td> <td>Franc\u00e9s<\/td> <\/tr> <tr> <td>Tipo de material<\/td> <td>Cat\u00e1logo<\/td> <\/tr> <tr> <td>ISBN \/ ISSN<\/td> <td>NA<\/td> <\/tr> <td>Medidas<\/td> <td>28 p.: il.; 14,8 cm<\/td> <\/tr> <\/table> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Afropixel # 6 es el primer cap\u00edtulo de Imaginarios Digitales, una colaboraci\u00f3n entre K\u00ebr Thiossane en Dakar, el Museo de Arte Wits (WAM), el Instituto Wits para la Investigaci\u00f3n Social y Econ\u00f3mica (WISER), el Festival Fak&#8217;ugesi en Johannesburgo, el Universidad de Bayreuth en Bayreuth y Zentrum f\u00fcr Kunst und Medientechnologie (ZKM) en Karlsruhe. Al reunir a artistas e investigadores de&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":7981,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,135,294,283,295,193,307,290],"tags":[88,308,322,305,323,97,321,320],"anio":[39],"idioma":[102],"lugar_produccion":[169],"tipo-de-material":[21],"class_list":["post-1000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-pensamiento","category-artes-mediales","category-cultura-digital","category-cultura-libre","category-hacking","category-lo-comun","category-software-libre","category-tecnologias-analogas","tag-arquitectura","tag-codigo-abierto","tag-espacio-publico-y-ciudad-escuela-de-los-comunes","tag-fablab","tag-imaginarios-digitales","tag-investigacion","tag-urbanismo","tag-webtv","anio-39","idioma-frances","lugar_produccion-senegal","tipo-de-material-catalogo"],"acf":[],"_links":{"self":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/1000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1000"}],"version-history":[{"count":5,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/1000\/revisions"}],"predecessor-version":[{"id":8379,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/posts\/1000\/revisions\/8379"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=\/wp\/v2\/media\/7981"}],"wp:attachment":[{"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1000"},{"taxonomy":"anio","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fanio&post=1000"},{"taxonomy":"idioma","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Fidioma&post=1000"},{"taxonomy":"lugar_produccion","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Flugar_produccion&post=1000"},{"taxonomy":"tipo-de-material","embeddable":true,"href":"https:\/\/platoteca.platohedro.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftipo-de-material&post=1000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}